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about

A carousel of days, bleeding together, in what adds up to be a life's savings of time, waiting to be spent on freedom.

lyrics

The patient floss, he consecrates,
An aimless toss, an about-face,
The rising cost of anything unknown…

Deflated in his office chair,
His vacant heart, and thinning hair,
Could take him in his sleep and no one would know…

Oh, he’s waiting on something,
He’s banking on his patience,
To get him where he’s trying to go,
Closed yet open to his finance,
He’s raking in the glances,
Of where he’s been before…

…because four little walls can you make you…

Rich. Eventual.

Now phones will ring and keys will tap,
“Abolished feelings”, “taking crap”,
Were published in the job description ink…

So he takes the shape of greeting-throb,
While gazing freely, into oncoming traffic,
To scream “FREEDOM!” At 65…

Oh he’s waiting on something,
He’s paving over anything,
Just getting where he needs to go…

Posed and waiting for his climax,
Another belly full of Xanax,
Will help to keep him calm…

…he’s Rich Eventual.

He’s a blind-man, he’s a camper,
He was staring at the sun while,
It was beating down the road…

Now his 400k is waiting,
It payed off, all that patience,
Just so he can sit at home…

…because four little walls can make you…

Rich. Eventual.

credits

from Live in the Atrium, released April 1, 2020
CREDITS:
Written and Arranged by Warren Thomas Fenzi
Performed by Warren Thomas Fenzi, Bailey Cogan, Daniel Chavez, Karl Remus and Christian Wheeler.
Shot by Alex Munro and Garrett Wells
Production Assistance by Charlie Berg
Recorded, Produced and Mixed by Colin Loynachan
Edited by Alex Munro

Recorded live in the A-Mill Artist Loft "Atrium"

©Warren Thomas Fenzi 2020

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about

Warren Thomas Fenzi Tucson, Arizona

“Settle in the space between, It’s where the flowers like to grow.”

Exploring the complexity of life choices, Warren Thomas Fenzi challenges any clear line between generalities, inner truth and self doubt. Suspended, he peers into a looking glass, exploring the possibility that what we believe to be legitimate and authentic, may not be so. ... more

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